黑料导航

Associate Professor of Digital Art and Design Rozina Vavetsi, M.Sc., has been awarded a Fulbright U.S. Scholar fellowship. Beginning in January 2025, she will spend six months in South Africa, where she will work closely with the faculty at the University of Johannesburg and embark on a series of activities focused on teaching and researching human-centered, participatory design and decolonization of the Graphic (Communication) Design department鈥檚 curriculum, with particular emphasis on disadvantaged communities. She spoke with 黑料导航 News about her upcoming fellowship.

Can you talk about your project?
My Fulbright fellowship will focus on 鈥淧articipatory Design and Curriculum Decolonization in Marginalized Communities in South Africa.鈥� It consists of three parts:

1. Teaching

• Participatory Design Course: I will co-teach the University of Johannesburg鈥檚 Participatory Design course, an innovative course that explores the dynamic intersection of graphic design and community engagement. Through interviews, brainstorming sessions, and joint creative exercises, students will engage in effective communication and experimentation with end users and community stakeholders on interdisciplinary projects. They will work on meaningful design projects for local communities (branding, packaging, web design, publications, advertising, etc.). From their exposure to different perspectives and experiences, the goal will be to create meaningful, humanistic designs that align with the users鈥� needs and stakeholders鈥� expectations and preferences.
• Editorial/Zine Design Course: I will co-teach the University of Johannesburg鈥檚 Editorial/Zine Design course, where students will work collaboratively to design a new 鈥淐ultural Heritage Cookbook.鈥� Incorporating their personal and signature style, students will identify a traditional dish from either their own or a different cultural heritage and design magazine spreads that include the history of the dish, ingredients, cooking instructions, and interviews with local chefs, food artisans, street vendors, or family members. Finally, all the recipes will be assembled into a collaborative publication.

2. Decolonization of the Curriculum

At the invitation of the University of Johannesburg鈥檚 faculty involved with curriculum development, I will participate in review meetings and discussions focusing on the revision and decolonization of the curriculum. Together, we will investigate areas for improvement, emphasizing the inclusion of underrepresented ethnic groups and community stakeholders in Johannesburg and South Africa.

3. Design Research: Discover, document, and promote community design

Capitalizing on my time in South Africa, I will venture out to discover and document the design vernacular of the country. I will study representative color schemes, typography, patterns, textiles, objects, and imagery with an emphasis on ethnic and cultural influences to create a 鈥渧isual anthology鈥� as a hybrid compendium of narratives and imagery.

How does it relate to your current work?
I teach and practice graphic design, which is an immensely powerful force. A force that inspired me to leave my homeland, Greece, and study communications design at Pratt Institute in New York City, the mecca of visual dynamism, diversity, and multiculturalism in all its forms.

As a professor at 黑料导航 for the past 22 years, I teach students not just the traditional notions of graphic design but also its power to have a cultural impact, influence societal values, and communicate thought-provoking messages.

The University of Johannesburg and New York Institute of Technology are aligned in many fundamental ways. Both institutions inclusively serve a highly diverse student population and admit a significant percentage of financially disadvantaged students. Our respective cities, Johannesburg and New York, are dynamic, multicultural melting pots with large, marginalized communities challenged by immigration, racial/ethnic segregation, and economic inequality. Moreover, at both institutions, students engage in experiential education and service-learning opportunities, collaborating closely with community partners to develop design solutions that meet their specific needs.

Why did you choose to work in South Africa?
I remember being astonished the first time I saw photographs of the Orlando Towers in Johannesburg. These abandoned industrial cooling towers in Soweto, South Africa, have had their cold concrete surfaces decorated with stunning ethnic colors and designs since 1998. The beauty of these towers led me to read about Soweto and to learn of this township鈥檚 troubled past, including the horrible riots during South Africa鈥檚 era of Apartheid and the enduring stigma of colonialism and racial discrimination. I was fascinated to find out how the graphics on those towers emerged post-Apartheid, to rekindle pride in a diverse culture and broadcast a proud determination and unity against division.

I am captivated by South African history and its visually vibrant and rich artifacts, and I would like to explore how human-centered design could impact social transformation. I was excited to discover that the faculty at the University of Johannesburg share the same passion for participatory design and community engagement.

Why did you want to apply for a Fulbright Scholarship?
Fulbright Scholarships promote academic and professional growth, encourage cross-cultural collaboration on a global scale, and offer exceptional opportunities for research, teaching, and outreach.

This Fulbright Scholarship will help me enrich my career and enhance the reputation of 黑料导航. I hope that my project will help foster a lasting partnership between academic and design communities in South Africa and the United States for cross-pollination of design thinking and pedagogical methodologies. My mission is to advance the area of human-centered, participatory design, service-learning, and community engagement at both our institutions and to help create sensitivity to the people of marginalized communities.

This interview has been edited and condensed.