黑料导航

HiddenHeritage

Interior Design Students Reveal Hidden Spaces

Bessie Nestoras Knoblauch| January 26, 2017

There are a number of beautiful things to admire in Grand Central Terminal鈥攖he elaborate astronomical ceiling, the famous clock, the detailed carvings鈥攂ut what lies behind the decorative facade? That is what a group of fourth-year undergraduate interior design students from NYIT and a group of sixth-year post graduate architecture students from the University of Lincoln in the United Kingdom aimed to find out. As part of the interdisciplinary exchange program Hidden Heritage, the two groups worked together to explore the inner structures of two architecturally significant buildings and how they relate to their public spaces. The trip was made possible through the support of School of Architecture and Design Dean Maria R. Perbellini and the Friends of NYIT School of Architecture and Design.

Mitaali Katoch, an architect based in London, coordinated the project. 鈥淚 am interested in cross-disciplinary projects,鈥 said Katoch who worked with Charles Matz, associate professor at NYIT School of Architecture and Design, and Trevor Elvin, professor of Architecture at the University of Lincoln, on the collaboration. The goal was to examine the hidden spaces (for example, electrical elements or the structure of a roof) of Grand Central Terminal in New York City and Lincoln Cathedral in Lincoln, UK, and then re-interpret those elements into new design concepts.

The assignment was also a way to connect students from different disciplines and cities to see what conclusions they would draw using their respective training and perspectives. 鈥淚t was challenging because it breaks convention to run what are essentially vertical studios,鈥 said Katoch, who noted that while the NYIT interior design students鈥 focus was on the human scale element of the project, the Lincoln students approached the project with architectural tectonics in mind.

The students began by working together remotely. Then each group travelled to the respective universities鈥 host countries to meet in person. Students were divided into groups and were assigned aspects of the buildings to explore.

Abstract model based on Grand Central Terminal.
NYIT students created individual abstract models based on Grand Central Terminal. See more photos below.

鈥淚 worked on a team that examined the electrical and plumbing of Lincoln Cathedral. My teammates and I worked together to see how those hidden elements could be used to create a design concept that would bring the internal workings to the outside,鈥 explained John Sanchez, a senior at NYIT.

Sanchez鈥 team worked on a series of drawings that showed how the plumbing, electrical, and air ducts operated within the walls; then they extended those elements outside.

鈥淲e showed how the energy could be transferred to the external area.鈥 said Sanchez. 鈥淥ur approaches were different, but we each brought something to the table. The interior design students looked to see how space can affect individuals; our University of Lincoln counterparts brought the technical aspect. For instance, they showed us how to create a technical drawing.鈥

The deeper they delved into the project, the more the students found that to have a full understanding of a building鈥檚 beauty, one needs to look beneath the surface. The identity of Grand Central Terminal, for example, goes beyond its iconic clock and other ornamental features.

But more importantly, they learned how people with different ideas and approaches can successfully work together. 鈥淲hat I’ll take away from this experience is that the more exposure you have to different types of people and cultures around you, the more opportunities you’ll have in expanding your mind and design sense,鈥 said Melissa Henriquez, a senior at NYIT. 鈥淕oing forward I would love to be involved in international projects, so that I can have the opportunity to collaborate the same way I did with the Lincoln students.鈥

鈥淭he interdisciplinary exchange project offered the two institutions the opportunity to investigate a shared interior and architectural dialogue,鈥 said Elvin.

鈥淭he project challenged both groups to bridge differences in ages and disciplines, as well as to work together across two continents,鈥 agreed Matz. 鈥淚t was a huge success. It was so nice to see how tight the group became. Even though they came from different places in their training, they really worked well together.鈥

Conceptual piece designed by NYIT student Dammie Adeyemi.
This conceptual presentation captures the hidden structural elements within the attic of Lincoln Cathedral and reveals the open and elegant spaces that exist below.
Abstract pieces designed by NYIT students John Sanchez and Liam Swaby.
Left: The piece shows the nature of energy as it flows through time and space. The composition is formed solely by the movements, pathways, and channels through which energy flows. It creates focus and defines a hierarchy between the elements within the scene. Right: The piece demonstrates the enlightenment of space through exposure to the energies which define it.
3D representation designed by Tejal Dave from the University of Lincoln.
This 3D representation shows “served” versus “servant” spaces in Lincoln Cathedral.
NYIT students gather for a farewell dinner in Lincoln.
Here is another interpretation of the layers of spaces within Lincoln Cathedral. Each area has unique ways of capturing natural elements of light, darkness, air, and solid space.
Abstract image.
Three images symbolize the three stages of nostalgia. In the first image–the moment when a viewer first makes visual contact–the candle represents a spiritual nostalgia derived from the act of prayer in church. The second image marks the transition a person experiences from one space or phase of an experience to the next. The third image is inspired by a candle melting over an object, leaving a void formed by the wax. This is a new experience that leaves its trace behind.
Abstract image.
This image conveys the idea of rapid movement through a complex space to the densest area of the form. The idea draws from the concepts of “continuous process” and “expansion to compression.”
Illustration of Lincoln Cathedral.
The conflicting ideas of conservation and evolution are exhibited in this illustration of Lincoln Cathedral.
NYIT students Terry Davis, Ashling Street, Tejal Dave, and Melissa Henriquez.
NYIT and University of Lincoln students Terry Davis, Ashling Street, Tejal Dave, and Melissa Henriquez on a visit to the AA School of Architecture in London.
NYIT students gather for a farewell dinner in Lincoln.
On their final evening in Lincoln, the students gathered for a farewell dinner. Back row, from left: NYIT students Tejal Dave, Melissa Henriquez, Lana Kravtchenko, Damiola Adeyemi, Emily Joyce, and Deborah Turner. Front, from left: Ingrid Jimenez and Ashling Street.

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